Jess Jurkovic's blog

I recently was lucky enough to be invited to see Danilo Perez's latest show at the Jazz Standard. My friend is a publicist and agent, and likes to sit right in front, and so we did.

The group featured Perez, David Sanchez, a trumpeter and alto saxist new to me, plus Adam Cruz and Ben Street. The show was called 21st Century Dizzy, which mixed original compositions with VERY modern arrangements (so much so that they might as well have been originals) of songs written by or associated with Dizzy Gillespie. Even though it was clear to me that, despite this being the last of four nights, some arrangements were a bit seat-of-the-pants or were less than assured, this was not distracting and the playing was top-notch.

The thing that most struck me was Perez's presence on the stage. He is extremely emotive, and although sometimes his shoulders lift and he seems to struggle getting out of his own way (a feeling I know well as a performer), he was arguably the most engaging member of the band.Read more

I bought some DVDs of live jazz concerts and TV performances, of the type that until recently was archival footage, seen only at the time and place of original transmission. In America such performances, say Miles Davis with Gil Evans at CBS in 1959, or Dave Brubeck's appearance on Ralph J. Gleason's Jazz Casual in 1961, might occasionally be glimpsed on some PBS documentary, but rarely would such things be released on VHS or (now) DVD. Maybe it was certain copyrights and such that kept films from being sold to the general public until now.

The appearance of these DVDs, plus postings on YouTube of rare footage makes me very excited; in fact I might not be able to overstate it. As I was growing up and getting into jazz in the '80s, right around the beginning of the CD era, the recordings that I loved were only twenty or thirty years old, but the images with them were precious few. I was always curious to see for myself what these performers were like when they worked: the way they carried themselves, how they interacted with their bands and with audiences. Subsequently having watched some of my favorite pianists on video: Brubeck, Bill Evans, Oscar Peterson, Keith Jarrett (whom I can't watch anymore, quite frankly; looks too painful), I still haven't lost the thrill, the feeling of excitement and expectation at seeing them in action.Read more